The first men in the moon, by H. G. Wells

The first men in the moon, by H. G. Wells

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The first men in the moon, by H. G. Wells

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Herbert George Wells (21 September 1866 – 13 August 1946), known primarily as H. G. Wells, was a prolific English writer in many genres, including the novel, history, politics, and social commentary, and textbooks and rules for war games. He is now best remembered for his science fiction novels, and Wells is called the father of science fiction, along with Jules Verne and Hugo Gernsback. His most notable science fiction works include The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898).

The first men in the moon, by H. G. Wells

• Published on: 2015-11-12
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .46" w x 6.00" l, .62 pounds
• Binding: Paperback
• 204 pages

The first men in the moon, by H. G. Wells

About the Author Often called the father of science fiction, British author Herbert George (H. G.) Wells literary works are notable for being some of the first titles of the science fiction genre, and include such famed titles as The Time Machine, The War of the Worlds, The Island of Doctor Moreau, and The Invisible Man. Despite being fixedly associated with science fiction, Wells wrote extensively in other genres and on many subjects, including history, society and politics, and was heavily influenced by Darwinism. His first book, Anticipations of the Reaction of Mechanical and Scientific Progress Upon Human Life and Thought, offered predictions about what technology and society would look like in the year 2000, many of which have proven accurate. Wells went on to pen over fifty novels, numerous non-fiction books, and dozens of short stories. His legacy has had an overwhelming influence on science fiction, popular culture, and even on technological and scientific innovation. Wells died in 1946 at the age of 79.

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45 of 46 people found the following review helpful. Sci-Fi Classic By Arizona Bookworm The First Men in the Moon It's great to see that one of H.G.'s enduring classics is now handily produced for your Kindle or iPhone. It is a "must read" for all fans of classic sci-fi. It's a quick read so it makes a good travel book. If you haven't read it before, it will seem outdated (or even a little cheesy in some places) by today's standards. However, it is an excellent starter story for younger readers, whereas "War of the Worlds" might be a little scary. A great addition to my "free" collection.

23 of 24 people found the following review helpful. A Memorable Adventure with Surprising Underpinnings By Gary F. Taylor Born in Victorian England, H.G. Wells had very strong ideas about the advantages and disadvantages of a society built on fixed social classes and endless imperialism--and these ideas would inform virtually everything he wrote over his long and distinguished career. Even in the handful of science fiction novels for which he is chiefly recalled today, Wells would return to these issues again, combining them with then-emerging scientific concepts to remarkably provocative effect.In some respects THE FIRST MEN ON THE MOON is likely his most accessible novel to modern readers, for it is lighter in tone than such Wells novels as THE TIME MACHINE and THE WAR OF THE WORLDS, and it reads like an exceptionally well-written pulp adventure of the era. But the underpinnings are the same: class, conquest, and--as in THE WAR OF THE WORLDS--Darwin's controversial theories on natural selection and evolution.In this novel Wells relies significantly on fantasy, presenting us with Professor Cavor, an eccentric (and quite comical) scientist determined to create a substance that is "opaque" to gravity, what we would today call an antigravity material. Cavor is interested in the work for the sake of knowledge pure and simple, but bankrupt businessman Bedford realizes the commercial implications and attaches himself to the project--and when the material is perfected the two men create a sphere that launches them to the moon!If this is clearly the stuff of fantasy (Jules Verne sneered at it), what the two men find on the moon is not, or at least was not considered so at the time. In 1901 little was known about the moon, and many notable scientists thought it might hold life. Upon their arrival, Cavor and Bedford find an atmosphere of sorts, a host of strange plants, and ultimately an insect-like race of beings that reside inside the moon itself, beings who practice forced evolution upon their own kind in order to create a rigid, hive-like social structure.As the nature of the "Selenite" society reflects Victorian concepts of fixed social classes taken to a logical and unpleasant extreme, so do the two humans reflect opposing points of sociopolitical view. Cavor is clearly an instrument of science, less interested in practicalities than in knowledge for its own sake--a point of view that Wells seems to hold in considerable sympathy. But for all this, Cavor is ineffectual; he must rely on Bedford's smash-and-grab imperialistic temperament to see them through. As in many Wells novels, the resulting clash of ideology is stalemate: both extremes need each other, but they are incapable of building compromise and neither is able to overcome the other to reach an outcome that will be satisfactory to any one concerned.All of this sounds terribly dry and dusty, but the book itself isn't. THE FIRST MEN IN THE MOON is a remarkably lively novel, a fast-paced quick read that will appeal greatly to most readers as it balances its philosphical questions with great chunks of pulse-pounding adventure. And even though we know that Wells was off the mark re lunar atmosphere, flora, and fauna, it is easy to suspend our disbelief to enjoy the ride. Recommended.GFT, Amazon Reviewer

13 of 14 people found the following review helpful. H.G. Wells at his best By Daniel Jolley The title seems a little strange, but the Moon as imagined by Wells is inhabited by creatures living underground--thus, the title. The plot is typical of the author--a seemingly normal man happens to meet a man with strange scientific ideas, and he quickly finds himself an active participant in the grand designs of his new acquaintance. Mr. Bedford, our narrator, escapes to as quiet and isolated a space as he can find in order to write a play. His hideaway is visited every night by a strange little man with a penchant for humming. Accosting the man for his nightly interruptions, he learns that the man, Dr. Cavor, is a scientist working to find a means by which to nullify gravity. Seeing the possibility of great profit from such a discovery, the narrator quickly enlists as a scientific assistant. The serendipitous discovery of Cavorite results in the scientist's home being destroyed and the surrounding countryside buffeted and damaged by powerful winds. With the discovery now made, Cavor embarks on a monumental quest to reach the moon by creating a huge sphere--a coating of Cavorite provides the means of locomotion, and a complex system of blinds serves as the means for controlling the thing. With the blinds closed, all gravitational forces are blocked from the sphere; with one or more blinds open, the sphere is once again subject to the gravitational pull of the nearest large object. In this fashion, the intrepid explorers make their way to the moon.The moon they discover is not barren; in daylight, a bevy of plants emerge from the ground only to wither and die as the lunar night returns. When the explorers lose their way, they are captured and taken underground. While Cavor wants to communicate with the Selenites, as he immediately dubs the lunar inhabitants, Bedford is more concerned with escape and eventually effects just that, having found the moon dwellers easy prey to his strong, earthgrown muscles. The two men search for the sphere, but Bedford is forced to escape the moon alone after learning that Cavor has been captured and presumably killed. Bedford returns to earth, tells his story to some incredulous beach dwellers, and then finds the sphere hijacked by a young boy (who flies off and is never heard from again). Thus, he has no way of returning to the moon, nor does he have the knowledge required to make more Cavorite. A short time later, Bedford is amazed to learn that Cavor is not dead and is in fact sending radio signals from the moon to the earth. The rest of the novel relates the story of Cavor's stay on the moon, culminating in a description of his interview with the Grand Lunar. In lunar society, each individual is assigned a certain job and is trained and even surgically altered to do that job and nothing else. Cavor's description of earthly society is a revelation to the lunar inhabitants; through his words, Wells seems to point out some of the follies of mankind, particularly war. Thus, the book ends on sort of a philosophical note, and one has to imagine that Cavor's speech reflects some of Wells' own views about humankind.All in all, the book is interesting, well-paced, and enjoyable. The originality of Wells' idea is striking--rather than propel man to the moon by huge cannon or the like, he employs antigravity as a free, highly effective means to, in essence, repel the sphere from the earth. Of course, Wells' moon is a far cry from the moon as we now know it, but it does seem to fit well into the framework of thinking at the time, at least insomuch as Wells describes those contemporary scientific ideas. Though not the most recognized of his books, The First Men in the Moon may be the most original and visionary science fiction novel penned by this pioneering author.

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The first men in the moon, by H. G. Wells

The first men in the moon, by H. G. Wells

The first men in the moon, by H. G. Wells

Basil, by Wilkie Collins

Basil, by Wilkie Collins

Basil, By Wilkie Collins. Exactly what are you doing when having extra time? Chatting or searching? Why do not you aim to check out some book? Why should be reviewing? Reviewing is one of fun and also enjoyable task to do in your leisure. By reading from several resources, you can discover brand-new details and experience. Guides Basil, By Wilkie Collins to check out will be many beginning from clinical publications to the fiction e-books. It suggests that you can check out guides based on the requirement that you wish to take. Certainly, it will be various and you could read all book kinds at any time. As right here, we will reveal you a book must be read. This publication Basil, By Wilkie Collins is the option.

Basil, by Wilkie Collins

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A close friend of Charles Dickens' from their meeting in March 1851 until Dickens' death in June 1870, William "Wilkie" Collins was one of the best known, best loved, and, for a time, best paid of Victorian fiction writers. But after his death, his reputation declined as Dickens' bloomed. Now, Collins is being given more critical and popular attention than he has received for fifty years. Most of his books are in print, and all are now in e-text. He is studied widely; new film, television, and radio versions of some of his books have been made; and all of his letters have been published. However, there is still much to be discovered about this superstar of Victorian fiction.

Basil, by Wilkie Collins

• Published on: 2015-11-02
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .84" w x 6.00" l, 1.09 pounds
• Binding: Paperback
• 370 pages

Basil, by Wilkie Collins

Review "[A] characteristically chilling work by the master of Victorian suspense."

About the Author Dorothy Goldman, Deputy Director, School of Continuing Education, University of Kent

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24 of 24 people found the following review helpful. perhaps the best of Collins's earlier works.. By lazza Wilkie Collins came to fame with 'The Woman in White', followed by a succession of 'suspense' novels which are his trademark. 'Basil' is an earlier yet surprisingly mature work, and it is not a suspense novel. 'Basil' chronicles the life of a young, foolish man who falls in love (literally) at first sight with a young woman. He then discovers, too late, that this 'sweet young thing' is not as she first appeared. The author captures Basil's anguish perfectly. While some people might find the entire story to be a bit contrived, I found the emotional element of writing to greatly outweigh this 'love at first' kitsch.So in conclusion, 'Basil' should have a wider appeal beyond the Wilkie Collins fan club. Folks who love mid-Victorian writing will find much to enjoy with 'Basil'.

4 of 4 people found the following review helpful. A haunting tale of love at first sight. By Elizabeth Crowley I have read many novels by Wilkie Collins including: The Woman in White,The Moonstone, No Name and Armadale. Most of these works involve some mystery surrounding a woman. This novel is no exception.The novel begins years after a tragic event has changed the life of a young man named Basil. The readers learn that the doors of his home are forever closed to him. He will never see his father again. And he will never see his beloved sister, Clara, again.Basil begins to recount the events that lead to a life changing event, which caused him to lose all that he once held dear. These events were set in motion the minute he met Margaret Sherwin.Basil's enchantment with the dark and beautiful Margaret happened when they met by chance on an omnibus. Basil was so stricken by her beauty that he followed the beautiful stranger home and with the help of a family servant managed to coax his way into Margaret's life.The Sherwin family were simple shop keepers. Mr Sherwin owned a linen draper's shop. When he learned that the son of a gentlemen with a family name dating back to Norman times expressed interest in his daughter, he was more than happy to encourage the union.Basil's father, however, was extremely proud of his family lineage and expected his sons to follow and respect their family history. Margaret's beauty won over Basil's family obligations. Without the consent of his father he marries Margaret in secret.After marrying Margaret, Basil realizes that something is not quite right in the Sherwin household. Margaret's moods change with the wind. Each and every person in the home seem to be keeping a secret.I found the novel extraordinary! The readers are immediately aware that Basil's marriage to Margaret was his undoing, but the events unfold slowly and tragically.I don't think I will ever hear the names Basil and Margaret and not think of his novel. It was absolutely haunting!

10 of 12 people found the following review helpful. Basil's Betrayal By A Customer After reading The Woman in White, A Rogue's Life, and attemting The Moonstone, I picked up Basil. Basil's story was more absorbing than any of the other books and my sympathies were entirely with him. I felt his betrayal and utter dejection. If only I could have been his friend!

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The chorus girl and other stories, by Anton Chekhov

The chorus girl and other stories, by Anton Chekhov

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The chorus girl and other stories, by Anton Chekhov

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Anton Pavlovich Chekhov was born in the small seaport of Taganrog, southern Russia, the son of a grocer. Chekhov's grandfather was a serf, who had bought his own freedom and that of his three sons in 1841. He also taught himself to read and write. Yevgenia Morozova, Chekhov's mother, was the daughter of a cloth merchant. "When I think back on my childhood," Chekhov recalled, "it all seems quite gloomy to me." His early years were shadowed by his father's tyranny, religious fanaticism, and long nights in the store, which was open from five in the morning till midnight. He attended a school for Greek boys in Taganrog (1867-68) and Taganrog grammar school (1868-79). The family was forced to move to Moscow following his father's bankruptcy. At the age of 16, Chekhov became independent and remained for some time alone in his native town, supporting himself through private tutoring. In 1879 Chekhov entered the Moscow University Medical School. While in the school, he began to publish hundreds of comic short stories to support himself and his mother, sisters and brothers. His publisher at this period was Nicholas Leikin, owner of the St. Petersburg journal Oskolki (splinters). His subjects were silly social situations, marital problems, farcical encounters between husbands, wives, mistresses, and lovers, whims of young women, of whom Chekhov had not much knowledge – the author was was shy with women even after his marriage. His works appeared in St. Petersburg daily papers, Peterburskaia gazeta from 1885, and Novoe vremia from 1886. Chekhov's first novel, Nenunzhaya pobeda (1882), set in Hungary, parodied the novels of the popular Hungarian writer Mór Jókai. As a politician Jókai was also mocked for his ideological optimism. By 1886 Chekhov had gained a wide fame as a writer. His second full-length novel, The Shooting Party, was translated into English in 1926. Agatha Christie used its characters and atmosphere in her mystery novel The Murder of Roger Ackroyd (1926). Chekhov graduated in 1884, and practiced medicine until 1892. In 1886 Chekhov met H.S. Suvorin, who invited him to become a regular contributor for the St. Petersburg daily Novoe vremya. His friendship with Suvorin ended in 1898 because of his objections to the anti-Dreyfus campaingn conducted by paper. But during these years Chechov developed his concept of the dispassionate, non-judgemental author. He outlined his program in a letter to his brother Aleksandr: "1. Absence of lengthy verbiage of political-social-economic nature; 2. total objectivity; 3. truthful descriptions of persons and objects; 4. extreme brevity; 5. audacity and originality; flee the stereotype; 6. compassion." Chekhov's fist book of stories (1886) was a success, and gradually he became a full-time writer. The author's refusal to join the ranks of social critics arose the wrath of liberal and radical intellitentsia and he was criticized for dealing with serious social and moral questions, but avoiding giving answers. However, he was defended by such leading writers as Leo Tolstoy and Nikolai Leskov. "I'm not a liberal, or a conservative, or a gradualist, or a monk, or an indifferentist. I should like to be a free artist and that's all..." Chekhov said in 1888. The failure of his play The Wood Demon (1889) and problems with his novel made Chekhov to withdraw from literature for a period. In 1890 he travelled across Siberia to remote prison island, Sakhalin. There he conducted a detailed census of some 10,000 convicts and settlers condemned to live their lives on that harsh island. Chekhov hoped to use the results of his research for his doctoral dissertation. It is probable that hard conditions on the island also worsened his own physical condition.

The chorus girl and other stories, by Anton Chekhov

• Published on: 2015-11-09
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .44" w x 6.00" l, .59 pounds
• Binding: Paperback
• 192 pages

The chorus girl and other stories, by Anton Chekhov

Language Notes Text: English, Russian (translation)

About the Author Anton Pavlovich Chekhov (29 January 1860 – 15 July 1904) was a Russian physician, dramatist and author who is considered to be among the greatest writers of short stories in history. His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics. Chekhov practised as a doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress."

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4 of 5 people found the following review helpful. Greatness! By brendan99 This free collection has one of the greatest Chekhov stories ever in it - "The Lady With The Dog." This is one of the best short stories of all time by one of the best short story writers ever. I highly recommend this book!

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The chorus girl and other stories, by Anton Chekhov

Missions Of Lust: A Billionaire BWWM Menage Romance For Adults, by Cher Etan, BWWM Club

Missions Of Lust: A Billionaire BWWM Menage Romance For Adults, by Cher Etan, BWWM Club

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Missions Of Lust: A Billionaire BWWM Menage Romance For Adults, by Cher Etan, BWWM Club

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Launch Sale: Just 99c for 24 hours only! Save 75% over the regular price of $3.99.A complete threesome romance story with action scenes, brought to you by best selling author Cher Etan.This is not your typical romance.Unless you call a woman in danger, two handsome billionaire agents swooping in to save her and them all ending up in bed together 'typical'.When CIA agent Sadie Thornton hears something she shouldn't, she becomes a target to some very bad people.With a plot to poison the population and cause mass hysteria on the cards, things aren't looking good for our heroine.Luckily, Jamie and Bruce are on the case.Smart, handsome and with more money than they know what to do with, these two are exactly the people you'd want on your side in a crisis.But can they stay alive long enough to get the girl and save the world?Find out in this emotional yet sexy action romance by best selling author Cher Etan.Suitable for over 18s only due to hot sex scenes and violence; please only read if you're comfortable with both.

Missions Of Lust: A Billionaire BWWM Menage Romance For Adults, by Cher Etan, BWWM Club

• Amazon Sales Rank: #255224 in eBooks
• Published on: 2015-11-25
• Released on: 2015-11-25
• Format: Kindle eBook

Missions Of Lust: A Billionaire BWWM Menage Romance For Adults, by Cher Etan, BWWM Club

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5 of 5 people found the following review helpful. Missed the mark By I Love To Read An interesting concept got me to read this book. Lack of focus caused me to not like it. During most of the book, I couldn't tell where the story was taking place, how much time had passed (or not passed), who's POV was being given, or what the hell was going on. I don't like a book that doesn't know how to guide the reader through the storyline. This was a book I would skip.

2 of 2 people found the following review helpful. Unrealistic By Sexyladi This book jumped around so much you could not find the plot . First it started with Sadie joining the cia for adventure leaving her high school sweetheart. Next she trapped in foreign country, the to billionaires come to retrieve her they get out find someplace to hold up next she having sex with both men while still in danger then recaptured in the middle of sex. No look out,, no recon for three cia agent they were poor examples. It was just one mistake after another. Sadie broken and teeth knocked out but she in enough shape to have sex with two men. I forced myself to finished it but the ending was just as disappointing.

1 of 1 people found the following review helpful. Disapointment By Amazon Customer ****Spoliers**** I had very high hopes for this book. The premise seemed like it would have adventure and hot sexual content that turns into love. Absolutely none of that happened. We see the heroine for a total of 15 pages and she just jumps into bed with these guys without knowing anything about them except they help saved her. Then there was this relationship between the two heros that made you wonder if they were in love with each other. There was a lot of action but everything was choppy. I felt I was missing pieces of the story. I am sorry but this book was awful. I am an avid reader and normally I can find a few things to like about a book but I couldn't find anything good about this one. In fact I wish I could have my .99 back.

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Missions Of Lust: A Billionaire BWWM Menage Romance For Adults, by Cher Etan, BWWM Club

Missions Of Lust: A Billionaire BWWM Menage Romance For Adults, by Cher Etan, BWWM Club

People of the Book, by Geraldine Brooks

People of the Book, by Geraldine Brooks

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People of the Book, by Geraldine Brooks

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From the Pulitzer Prize-winning author of March, the journey of a rare illuminated manuscript through centuries of exile and war.

In 1996, Hanna Heath, an Australian rare-book expert, is offered the job of a lifetime: analysis and conservation of the famed Sarajevo Haggadah, which has been rescued from Serb shelling during the Bosnian war. Priceless and beautiful, the book is one of the earliest Jewish volumes ever to be illuminated with images. When Hanna, a caustic loner with a passion for her work, discovers a series of tiny artifacts in its ancient binding-an insect wing fragment, wine stains, salt crystals, a white hair-she begins to unlock the book's mysteries. The reader is ushered into an exquisitely detailed and atmospheric past, tracing the book's journey from its salvation back to its creation.

In Bosnia during World War II, a Muslim risks his life to protect it from the Nazis. In the hedonistic salons of fin-de-siècle Vienna, the book becomes a pawn in the struggle against the city's rising anti-Semitism. In inquisition-era Venice, a Catholic priest saves it from burning. In Barcelona in 1492, the scribe who wrote the text sees his family destroyed by the agonies of enforced exile. And in Seville in 1480, the reason for the Haggadah's extraordinary illuminations is finally disclosed. Hanna's investigation unexpectedly plunges her into the intrigues of fine art forgers and ultra-nationalist fanatics. Her experiences will test her belief in herself and the man she has come to love.

Inspired by a true story, People of the Book is at once a novel of sweeping historical grandeur and intimate emotional intensity, an ambitious, electrifying work by an acclaimed and beloved author.

People of the Book, by Geraldine Brooks

• Amazon Sales Rank: #109925 in Audible
• Published on: 2008-10-31
• Format: Unabridged
• Original language: English
• Running time: 845 minutes

People of the Book, by Geraldine Brooks

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261 of 278 people found the following review helpful. No spoilers here By Cindyash Id been waiting for this book since I read the excerpt in the New Yorker last month. It didn't disappoint. The vignettes of each time period were expertly done, all of the characters well drawn, the history as timely as today. The love of books, history, art come through very well through the entire book. The horrors of the past and how they keep repeating themselves was very well expressed without being hammered into the reader. Given my track record with this author (I didn't care for her other two fiction books, tho I do love her non fiction), I was very very impressed.Two things that are keeping this from being a five star for me. There was too much about Hanna. Her character obviously is important, but the whole love affair, her problems with her mother, all of that could easily have been taken out. And that last chapter sounded like something from a Mission Impossible movie, and was totally unnecessary.The other thing was the ommission of Leila's meeting with Sula's son, in Israel. This is described in the article but for some reason was left out of the book. Its a beautiful and moving moment, and needed to be there.That being said, I'd recommend this book to anyone looking for an excellent read.

461 of 498 people found the following review helpful. "Book burnings. Always the forerunners. Heralds of the stake, the ovens, the mass graves." By Luan Gaines In 1996, as rare book expert Dr. Hanna Heath examines the Sarajevo Haggadah, an illuminated Hebrew manuscript from 15th century Spain, she carefully removes a series of artifacts that, under laboratory examination, will offer insight into the remarkable journey of this unusual text. Having survived the Serb-Bosnian war, the haggadah yields precious clues that allow Hanna to reconstruct the attrition of time: the fragment of an insect wing, an apparent wine stain, a white hair, salt crystals. It requires all of Heath's considerable skills to trace the evidence through the centuries to the book's origin. One of the earliest illuminated Hebrew books to feature figurative art, this haggadah has been repressed by medieval Jews for religious concerns. Perhaps made in mid-4th century Spain, when Jews, Christian and Muslims peacefully coexisted, the manuscript begins its troubled journey in the Spanish Inquisition and expulsion of the Jews from Spain in 1492.An Australian, Dr. Heath embraces the acerbic wit of her culture, clumsy at the communication skills so easily wielded by others; of a more contemplative nature, she is devoted to the historic value of the volumes she restores. Troubled by a chronic antagonism with her neurosurgeon mother, the young woman has built a life around her work in compensation. Meanwhile, Hannah's romantic curiosity is piqued by the enigmatic man assisting her at the museum in Sarajevo, widower Dr. Ozrem Karaman, his infant son profoundly brain-injured and wife killed in the war's crossfire. Her emotions in turmoil, Hanna's natural impulse is to soothe Ozrem's pain; unfortunately, she cannot forestall the inevitable or alter fate. Hannah turns to her work- for Hanna, books speak to objectifiable history, while feelings are impossible to confine.The human component of the book's journey brings a particular poignancy to this novel, Hanna's obsession with ancient texts, Ozrem's tragic loss, the passage of the haggadah from hand to hand through years of religious strife, the thoughtful preservation of history's great treasures. The actions of years past speak to the present, a haunting reminder of man's inclination to destroy that which he does not understand.Extraordinary people drive the story, from Sarajevo to Vienna to Boston, an intense investigation via scientific methods of chaotic times, religious and political unrest. Each era is revealed through the actions of characters circa 1940, 1894 and 1609, the journey of the haggadah and its protectors, the book hidden from those who would obliterate an invaluable artifact: "To be a human being matters more than to be a Jew, a Muslim, Catholic or Orthodox." Time's guardians reach through the years to pass the haggadah from one century to another. Hannah's task is to overcome personal defeats, trust her instincts and evaluate the evidence, so that a new generation may learn from the courage of the old. Luan Gaines/ 2007.

50 of 52 people found the following review helpful. "A book is more than the sum of its materials. It is an artifact of the human mind and hand." By Bookreporter Every year at Passover, Jews around the world gather for a festive meal at which they are commanded to retell the epochal story of the Exodus from Egypt. The text for that retelling is known as the "haggadah," the root of which is the Hebrew verb "to tell." Today, it is estimated that there are more than 3,000 versions of this book, a compendium of biblical excerpts, rabbinic commentary, stories and poems. In her emotionally resonant new novel, Geraldine Brooks spins an intricate and moving tale of one of them, the Sarajevo Haggadah, and its stirring, almost miraculous, story of survival.The true story of the haggadah's narrow escapes from destruction, chronicled in a December 3, 2007 New Yorker article by Brooks (featuring a color reproduction of one of the haggadah's striking illustrations), is so fantastic it seems almost impossible to fictionalize it. But what Brooks does so convincingly is what empathetic historical novelists do best --- offer us rich insights into the interior lives of both real and fictional characters that reveal the human drama behind a fact-based story. As one of the book's characters reminds us, "a book is more than the sum of its materials. It is an artifact of the human mind and hand."The novel opens in the spring of 1996, after the Bosnia hostilities have ceased, leaving the city of Sarajevo a shattered remnant of its former self. Hanna Heath, a brash young conservator of medieval manuscripts from Australia, is summoned to the National Museum of Bosnia to restore the 15th century codex, featuring 34 pages of striking illuminations. Her discovery in the manuscript of a butterfly wing, a wine stain, a residue of sea salt and a fine white hair launch the novel's other narrative thread, as Brooks transports us in extended flashbacks to reveal the source of these items and thereby recount the haggadah's history.Brooks's recreation of five historical epochs --- Sarajevo in 1940, Vienna in 1894, Venice in 1609 and Spain in 1492 and 1480 --- is so rich with period detail, lavishly and yet effectively displayed, that one stands in awe of the thoroughness of her research. In each era the existence of the haggadah is threatened. Most dramatic, and most grounded in historical fact, is the story of how the book --- only moments away from almost certain destruction by the Nazis --- was hidden by the chief librarian of the Bosnian National Museum and then stored for the balance of World War II among Korans and other Muslim religious books in a remote mosque.The chapter recounting the haggadah's jeopardy in early 17th century Venice is almost as heart-stopping. There, Giovanni Domenic Vistorini, the censor of the Inquisitor whose job it was to consign heretical works to the bonfire, sits with his pen poised above the parchment before deciding to spare it from the flames. All of the novel's historical sections are so packed with vivid detail and complex characters --- princes, rabbis, artists, scribes and bookbinders --- that each time the narrative returns to its contemporary setting we're eager to be transported back in time and, once there, find ourselves longing to linger.What also sets this novel apart from more conventional works of historical fiction are the sophisticated themes that suffuse the narrative: the persistence of religious persecution, issues of religious and personal identity, and the close relationship between Muslims and Jews among the most prominent. Those ties may seem particularly startling to those familiar only with the Middle East conflict, and offer perhaps a glimmer of hope that someday they can be revived.Although it doesn't detract unduly from the impressiveness of the novel, the contemporary narrative suffers in comparison to the historical segments. There is a melodramatic subplot describing the fractured relationship between Hanna and her mother Sarah, an eminent but emotionally distant neurosurgeon, from whom Hanna ultimately learns a jealously guarded family secret. And Hanna's love affair with Ozren Karaman, the Bosnia librarian who protected the haggadah at the outset of the Bosnian hostilities, has a perfunctory feel to it.Geraldine Brooks most likely had herself in mind when Hanna observes, "By linking research and imagination, sometimes I can think myself into the heads of the people who made the book. I can figure out who they were, or how they worked. That's how I add my few grains to the sandbox of human knowledge." Following on her Pulitzer Prize-winning novel MARCH, in PEOPLE OF THE BOOK she continues to raise the bar for practitioners of this literary genre. --- Reviewed by Harvey Freedenberg (mwn52@aol.com)

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People of the Book, by Geraldine Brooks

People of the Book, by Geraldine Brooks

People of the Book, by Geraldine Brooks

People of the Book, by Geraldine Brooks

Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents),

Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents), by Lucy Ellis, Maisey Yates

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Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents), by Lucy Ellis, Maisey Yates

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The show must go on… For burlesque dancer Gigi Valente, L'oiseau Bleu is not just a cabaret club or a job…it's the only home she's ever known. She won't let new owner Khaled Kitaev destroy it, even if her body trembles in his magnificent presence… Though he admires her passion, Khaled believes Gigi is just another gold digger. But when her attempts to get his attention are caught on camera, the powerful Russian must usher Gigi into his world. With Gigi at his side, Khaled's womanizing reputation is down and his stock is up! But how long can he keep this free-spirited bird in his gilded cage?

Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents), by Lucy Ellis, Maisey Yates

• Amazon Sales Rank: #205531 in Books
• Published on: 2015-11-17
• Original language: English
• Number of items: 1
• Dimensions: 6.54" h x .50" w x 4.22" l, .22 pounds
• Binding: Mass Market Paperback
• 240 pages

Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents), by Lucy Ellis, Maisey Yates

About the Author Lucy Ellis has four loves in life: books, expensive lingerie, vintage films and big, gorgeous men who have to duck going through doorways. Weaving aspects of them into her fiction is the best part of being a romance writer. Lucy lives in a small cottage in the foothills outside Melbourne. Recent titles by the same author INNOCENT IN THE IVORY TOWER Did you know this title is also available as eBook? Visit www.millsandboon.co.ukNew York Times Bestselling author Maisey Yates lives in rural Oregon with her three children and her husband, whose chiseled jaw and arresting features continue to make her swoon. She feels the epic trek she takes several times a day from her office to her coffee maker is a true example of her pioneer spirit.  

Excerpt. © Reprinted by permission. All rights reserved. 'Gigi, get down from there. You're going to break your neck!'Suspended two metres in the air, gripping the stage curtain between the tensed toes of her feet and using her slender muscled arms to propel herself upwards, Gigi ignored the commentary and made quick work of scaling the curtains alongside the four-metre-high fish tank. It was the same tank in which she would be swimming tonight, in nothing more than a G-string and a smile, with two soporific pythons: Jack and Edna. That was if she didn't get fired first.The ladder, which would have made this easier, had been folded away, but she was used to shimmying up ropes. She'd been doing it from the age of nine in her father's circus. The velvet stage curtains were a doddle in comparison.Now for the hard part. She grabbed hold of the side of the tank with one hand and swung a leg over, straddling the ledge and locking herself in place.There was an audible sigh from below.When Susie had yelled, 'Kitaev's in the building—front of house, stage left,' pandemonium had broken loose. While the other girls had reached for their lipstick and yanked up their bra straps, Gigi had eyed the tank and, remembering its superb view once you were up there, hadn't hesitated.Susie had been right on the money, too. Down below, among the empty tables and chairs, deep in conversation with theatre management, was the man who held their future in his powerful hands, surrounded by an entourage of thugs.Gigi's eyes narrowed on those thugs. She guessed when you were the most hated man in Paris it helped to have minders.Not that he appeared to need them. His back was to the stage but she could tell his arms were folded because his dark blue shirt was plastered across a pair of wide, powerful shoulders and a long, equally sculpted torso.The man looked as if he broke bricks with a mallet for a living, not cabarets.'Gigi, Gigi, tell us what you can see? What does he look like?'Big, lean and built to break furniture.And that was when he turned around.Gigi stilled. She'd seen pictures of him on the internet, but he hadn't looked like that. No, the photographs had left that part out… The I've just stepped off a boat from a nineteenth-century polar expedition, during which I hauled boats and broke ice floes apart with my bare hands part.A beard as dark and wild as his hair partially obscured the lower portion of his face, but even at this distance the strong bone structure, high cheekbones, long straight nose and intense deep-set eyes made him classic-film-star gorgeous. His thick, glossy and wavy inky hair was so long he'd hooked some of it back behind his ears.He looked lean and hungry and in need of civilising—and why that should translate into a shivery awareness of her own body wasn't something Gigi wanted to investigate right now as she wobbled, gripping the side of the tank.Not when she had to talk to him and make him listen.He wasn't going to listen. He looked as if he would devour her.Self-preservation told Gigi that a smart girl would shimmy back down the curtain and mind her own business.'What's happening?' called up Lulu, who clearly wasn't able to mind her own business either, because she had climbed onto an upturned speaker below and was tugging on Gigi's ankle.'I don't know,' Gigi called back. 'Give me a minute—and stop pulling at me, Lulu Lachaille, or I really will fall.'Chastened, Lulu let go, but there was an answering hum of protest from below.'You're not a monkey, G. Get down!''She thinks she's made of rubber. If you fall, Gigi, you won't bounce!''Gigi, tell us what you can actually see! Is it really him?''Is he as gorgeous as he looks in all the photos?'Gigi rolled her eyes. At least Lulu understood that this man was not going to take his winnings seriously. But the other girls—poor fools—didn't see it that way. They were all operating under the belief that a rich guy in want of entertainment would scoop up a lucky showgirl and whisk her away to a life of unlimited shopping.Probably alerted by all the noise, Kitaev looked up.His attention shot to the aquarium so fast she barely had time to think. Certainly it was too late to draw herself back behind the curtain.His gaze fastened on her.It was like being slammed into a moving object at force. There was a buzzing in Gigi's ears and suddenly her balance didn't seem as reliable as it had been a moment ago.She made a little sound of dismay as her belly slipped a few notches from her holding place atop the aquarium.He was looking up at her now, as if she was what he had come to see.Gigi slipped another inch and grappled for purchase.Then two things happened at once.He frowned, and Lulu gave an extra-hard tug on her ankle.Gigi knew the moment she lost her balance because there was nothing she could do to save herself other than prepare for the fall. And with a little gasp she came tumbling down.* * *It was possible Khaled would never have known he owned this little piece of Montmartre if someone had not got hold of a list of Russian-owned properties in Paris and published them. Apparently it was fine to buy up significant real estate in the Marais and down south on the Riviera, but touch one of Paris's cabarets and lo and behold you were the most hated man in the city.Not that Khaled paid attention to what other people thought of him. He'd learned that lesson many years ago, as the son of a Russian soldier who had destroyed his mother's life and brought shame on her family.Growing up among people who shunned him had formed on him a tough hide, along with the ability to use his fists—although nowadays he was more likely to use his power and influence in a fight—and the wherewithal to take nothing personally.'Emotional detachment' a woman he'd briefly dated had called it. All skill, but no heart.Detachment had served him well. Wallowing in emotion probably would have got him killed before he was twenty in the part of the world he came from. He had grown up fast and hard and had survived because of it. Then he had flourished in the bear pit that was the Moscow business world. He knew how to get what he wanted and he didn't let sentiment cloud his reasoning.What made him a bad bet for a woman looking to nest sent the stock prices of his companies regularly soaring. Not that he was uninterested in women. He had a healthy interest in the species—although the turnover had recently stopped. It wasn't down to emotional emptiness, or an absence of libido, but sheer boredom at the lack of challenge.He was a hunter. It was intrinsic to his nature to take up a scent, to track, to chase, to make the kill.Then he got bored.He had been bored for a long time. Months now. Then he looked up.What in hell was that?When a man stepped inside one of Paris's famous cabarets he was primarily looking to see that most legendary of creatures: a Parisian showgirl.Long-legged, alluring, topless.That wasn't what he was looking at.Granted, he'd been living in tents, yurts and huts for the past six weeks, bathing in rivers, eating out of cans and off the carcasses of what they could kill. A hallucination involving a woman might well be the result—although he doubted this was what his mind would come up with. Because he'd swear he'd just got a glimpse of a knobby-kneed Tinker Bell in an animal print leotard, perched on top of the tank in which he'd been told a beautiful semi-naked showgirl would be swimming tonight—with pythons.Almost before he could account for what he was seeing, the curious apparition vanished as suddenly as she'd appeared, followed by a thump and vague female shrieks.'Do you want to check that out?' he asked of the two Danton brothers, both of whom were clearly sweating bullets over his unannounced appearance.Neither man moved.'The girls are in rehearsal,' said Martin Danton nervously, as if that explained everything.His security detail looked around, clearly expecting all twenty-four luscious Bluebirds to come can-canning across the empty stage.'Would you like to see a rehearsal?' Jacques Danton volunteered, catching hold of the shift in male attention eagerly. A little too eagerly.The two Frenchmen who managed the place were nervous as cats on a hot tin roof—as well they might be. Although Khaled suspected their nerves were nothing more than a natural response to having their shaky business practices put under the microscope.'My lawyers will be in touch today,' he informed them calmly. 'I want to take a look at how the place is doing.''We're a Parisian institution, Mr Kitaev!' they chorused.'So the French media have hammered home all week,' he replied, with the same measured calm. 'But it's a business, and I like to know how all my businesses are doing.'Frankly, he wouldn't be here now if the press hadn't exploded last week with spurious accusations that he was the equivalent of the Russian Army—marching on Paris, ripping up its pretty boulevards and despoiling French culture. Turning their city into Moscow-by-the-Seine.All because he'd won a cabaret in a card game.Now, having pretty much run his eye over what was making it difficult for him to move around the city without security, he was ready to organise its disposal.He had meetings lined up this afternoon, so L'Oiseau Bleu's time was almost up.There was an interruption as a winsome girl with a mop of dark curls stuck her head through the curtain.'Jacques…' she whispered.The older man frowned. 'What is it, Lulu?''There's been an accident.''What sort of accident?''One of the girls has hit her head.'With a Gallic gesture of acceptance, Jacques Danton muttered something that sounded like, 'Zhee-zhee,' and excused himself, pounding up onto the stage and into the wings.Khaled's gaze flickered to the empty tank, towering over the stage. He still wasn't sure what it was he'd seen but he was interested in finding out.He moved and his security team swarmed up onto the stage with him.'I don't really think this is a good idea,' protested Martin Danton as he mobilised himself behind them, exhibiting the first bit of backbone Khaled had seen in either man.He and his brother had been managing the cabaret for some fourteen years, according to the records. Managing it into the ground, Khaled suspected.He made his way behind the curtains and through a jungle of stage props, stepping over various crates and boxes, and ducking overhanging cords and wires that probably constituted health and safety risks that would close the place down.When he saw her she was lying sprawled on the stage floor.Jacques Danton was ignoring her in favour of remonstrating with the little brunette. It had the effect on Khaled that all the mismanagement and blundering about hadn't yet delivered. He shouldered the Frenchman out of the way and went to her aid.Hunkering down, he discovered that on closer inspection, despite her eyes remaining closed, he could see her delicate eyelids twitching.His mouth firmed.Little faker.Looking up, he judged the height and recognised that although she'd fallen she couldn't have done much damage.On cue, a clutch of other Lycra-clad, giggling, whispering twenty-something female dancers closed in around him. Khaled had had a similar experience only days ago, in the highlands of the Caucasus with a herd of jeyran gazelles. One minute he'd been naked, waist-deep in a clear stream, the next he'd been surrounded by knobby-kneed deer intent on drinking their fill.He looked around to note that his security team appeared as bemused as he was feeling.What were they going to do? Tackle them?Obviously he'd been set up, and this was a stunt to get him backstage. But the girls appeared as harmless as the deer. He looked down at the one gazelle who'd separated herself from the herd. She lay there, unnaturally still, but those eyelids gave her away, twitching at high speed as if she'd attached a jump lead to them.He pressed back one of the delicate folds. 'Can you hear me, mademoiselle?''Her name is Gigi.' The curly-haired brunette had crouched down opposite him and supplied the name helpfully.He was in Montmartre, in a shabby, past-its-use-by-date cabaret, with a cast of showgirls whose cities of origin ranged from Sydney to Helsinki to London—hardly any of them were actually French. Of course her name was Gigi.He didn't believe it for a second.As if sensing his scepticism, she swept up her thick golden lashes with astonishing effect. A pair of blue eyes full of lively intelligence above angular cheekbones met his. Grew round, startled, and bluer than blue.The colour of the water in the Pechora Sea.He should know—he'd just flown in from it.He watched as the points in her face—a gorgeous Mediterranean nose, a wide pink mouth and a pointed chin, all framed by wild red hair—seemed to coalesce around those same eyes.His chest felt tight, as if he'd been kicked under the ribs.She sat up on her elbows and fixed him with those blue eyes.'Who are you? Qui etes-vous?' Her accent happily butchered the French with the sing-song cadence of Ireland blurred with something a little more international.Qui etes-vous?His question exactly.He straightened up to assert a little dominance over her and settled his hands lightly on his lean muscled hips.'Khaled Kitaev,' he said simply.There was a ripple of reaction.'Ladies…' he added. But he didn't take his eyes off Red as he calmly offered her his hand, and when she hesitated he leaned in and took what he wanted.Gigi had been falling professionally since she was nine years old, but that hadn't prevented her flailing backwards and striking her head and her tailbone on the stage boards. She was currently seeing two hands and was not sure which one to take.'Get up!' Jacques was hissing at her like a goose.The option was taken out of her hands by Kitaev, who plucked her effortlessly off the ground and deposited her on her feet in front of him. Only the room swayed and her legs weren't co-operating.It didn't help either that she now found herself in the invidious position of having to tilt her head back even though she was five eleven—because he was that big—and he was standing far too close…looking at her.Boy, oh, boy, the way he was looking at her!Gigi blinked rapidly to clear her vision.Sometimes men looked at you as if all they wanted was to see you naked. Gigi accepted this as an occupational hazard even if she hated it. Sometimes they made unwanted and sleazy advances, but she'd learned to combat those too.This man wasn't doing any of those things. His eyes weren't desperate, greedy, pulling at her admittedly ratty leotard as if seeing her naked was all he cared about.No, this man's eyes held intent. They said something else entirely. Something no man had ever promised her. He was going to strip her naked and pleasure her body as she'd never been pleasured before. And then he was going to take her job and bin it.'You can't do that!' Gigi blurted out.'Do what, dushka?' He spoke lazily, in a deep Russian accent, as if he had all the time in the world.There was a titter among the other girls.'Whatever it is you have planned…' Gigi's voice trailed off, because it didn't sound as if either of them were talking about the cabaret.'At the moment,' he responded, with a flicker of something certainly beyond her experience in those dark and distant eyes, 'not much besides lunch.'The laughter around them drowned out any response—which was just as well, because it didn't take much imagination to see that this man had absolutely no interest in anything here—and Gigi felt her initial frustration build once more.He didn't care what happened to this place. The other girls didn't care. They would care, however, when they didn't have jobs.But it wasn't just about losing a job. This was her home.The anguish that pulled through Gigi like an undertow was real. It was the only place she had ever felt she really belonged since her mother's sudden death had upended her safe, secure world.She'd served her time with her father until she'd been able to make her leap across the Channel onto the stage boards of what had seemed then to be a dream job.Although, to be honest, if you'd asked her last week about her job she would have rolled her eyes and complained about the hours, the pay and the lousy chorie.The Moulin Rouge, it wasn't.

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Most helpful customer reviews

1 of 1 people found the following review helpful. Good book By Booklovr I enjoyed this book, its nice to read a Harlequin Presents book where the hero doesn't treat the heroine like complete crap.

0 of 0 people found the following review helpful. Refreshing and a great read! By G Kloken Refreshing and a great read -though the author was a bit fixated on maybe a personal experience regarding dancers feet, which are not necessarily a fact. That was a distracted from the rest of this really lovely, well written and well researched story. I am looking forward to more great reads from this author.

0 of 0 people found the following review helpful. Amazing By Kindle Customer I enjoyed the storyline of the book. It was an interesting way to introduce the two main characters to each other, and I also love the playfulness between them. The beginning was kind of slow, but the story did pick up mid way through. In the end this was a book worth reading.

See all 6 customer reviews... Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents), by Lucy Ellis, Maisey Yates

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Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents), by Lucy Ellis, Maisey Yates

Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents), by Lucy Ellis, Maisey Yates

Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents), by Lucy Ellis, Maisey Yates

Caught in His Gilded World: Christmas at The Chatsfield (bonus short story (Harlequin Presents), by Lucy Ellis, Maisey Yates

Rebelion en la granja (Spanish Edition), by George Orwell

Rebelion en la granja (Spanish Edition), by George Orwell

Rebelion En La Granja (Spanish Edition), By George Orwell. Someday, you will uncover a new journey and expertise by spending even more money. But when? Do you believe that you need to obtain those all needs when having significantly cash? Why don't you attempt to obtain something easy initially? That's something that will lead you to recognize even more regarding the world, experience, some places, history, entertainment, and also more? It is your personal time to proceed checking out habit. Among the e-books you can enjoy now is Rebelion En La Granja (Spanish Edition), By George Orwell below.

Rebelion en la granja (Spanish Edition), by George Orwell

Read Ebook Rebelion en la granja (Spanish Edition), by George Orwell

Rebelión en la granja (en inglés, Animal Farm) es una novela satírica del británico George Orwell. Publicada en 1945, la obra es una fábula mordaz sobre cómo el régimen soviético de Iósif Stalin corrompe el socialismo. En la ficción de la novela un grupo de animales de una granja expulsa a los humanos tiranos y crea un sistema de gobierno propio que acaba convirtiéndose en otra tiranía brutal. Orwell, un socialista democrático y durante muchos años un miembro del Partido Laborista Independiente, fue un crítico de Stalin. La novela fue escrita durante la Segunda Guerra Mundial y, aunque publicada en 1945, no comenzó a ser conocida por el público hasta finales de los años 1950. Además, la obra constituye un análisis de la corrupción que puede surgir tras toda adquisición de poder, en cualquier nivel. Así, la obra posee un doble nivel de interpretación posible, por lo que su mensaje puede trascender el caso particular del régimen soviético y ser captado incluso por niños que ni siquiera conocen la historia de la Unión Soviética. Por esta razón el libro ha sido utilizado a menudo como herramienta educativa incluso en los primeros años de la escolaridad de algunos países. Está considerada una de las más demoledoras fábulas acerca de la condición humana.

Rebelion en la granja (Spanish Edition), by George Orwell

• Published on: 2015-11-23
• Original language: Spanish
• Number of items: 1
• Dimensions: 9.00" h x .14" w x 6.00" l, .27 pounds
• Binding: Paperback
• 58 pages

Rebelion en la granja (Spanish Edition), by George Orwell

About the Author ERIC ARTHUR BLAIR (19031950), better known by his pen name George Orwell, was an English author and journalist whose best-known works include the dystopian novel 1984 and the satirical novella Animal Farm. He is consistently ranked among the best English writers of the 20th century, and his writing has had a huge, lasting influence on contemporary culture. Several of his coined words have since entered the English language, and the word "Orwellian" is now used to describe totalitarian or authoritarian social practices.

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6 of 6 people found the following review helpful. Crónica de una Revolución Fracasada By Oscar L. Vazquez El sueño del Viejo Manor (Lenin) de un mundo mejor para los animales conduce a una sublevación en la que sus lideres Snowball (Trosky) y Napoleón (Stalin) apoyados por el resto de los animales de la Granja Manor (Rusia) derrocan y expulsan a Mr. Jones y sus peones (el Zar y la nobleza) y tras la euforia de la victoria viene la colectivización, el liderazgo de los cerdos (la nomenclatura) apoyados por los perros (KGB) que automáticamente se mudan de los establos a la casa (el Kremlin) creando poco a poco una dictadura represiva en la que Squealer (Georgi Aleksandrov, Ministro de Propaganda) no duda en mentir, culpar al enemigo de los fracasos de la Granja Animal (Unión Soviética) justifica las formas de represión y ejecución de los enemigos, fomenta el culto a la personalidad, endoctrina a las masas entonando siempre el himno "Bestias de Inglaterra" (La Internacional) para a la postre, después de una guerra contra el Sr. Frederick (Alemania) termine sentado en la mesa celebrando con un grupo de granjeros (los Aliados) el pacto de paz y prosperidad mutual terminando siendo igual o peor que los seres humanos por imitación.Novela escrita con un lenguaje sencillo, dinámico, lleno de simbolismo no es más que una crítica abierta al totalitarismo más absoluto denunciando las traiciones, crimenes, represiones, fracasos y corruptelas que van de la mano del poder absoluto, no es de extrañar que el autor tuviera problemas para publicar su obra editada por fín en 1945 cuando Inglaterra y Estados Unidos vivían aún una "luna de miel" táctica con la Unión Soviética para acabar de derrotar a las potencias del Eje y creyeran que dicha obra - tendenciosa en su contenido - pudiera traer consecuencias negativas a la alianza. Una obra aún actual aplicable a decenas de dictaduras posteriores a la fecha de su primera edición y actuales escrita con el propósito de hacer pensar y recapacitar sobre el poder y sus lideres.

3 of 3 people found the following review helpful. Un esbozo de 1984 By Daniel Vale la pena leerlo, es un clásico. Sin embargo no tiene la calidad y la imaginación de 1984. Si disfutan la oportunidad de comprender e internarse en el desarrollo del pensamiento de un autor clásico, se los recomiendo; sin embargo, no deben dejar pasar por ninguna manera la obra maestra de Orwell, sin duda, 1984. Les recomiendo eso sí, para que no les altere la percepción del libro, NO LEAN EL PRÓLOGO o háganlo hasta el final.

3 of 3 people found the following review helpful. Essential Spanish Translation of Subversive Classic By LA Love With SO much history and discussion of Marxism in Latin America, it'sgreat to have an intelligent, accurate translation of a book likeAnimal Farm available. Orwell created an invaluable reference point andpainted a colorful landscape of what the Manifesto sometimes looks likewhen its practical application is attempted.

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Rebelion en la granja (Spanish Edition), by George Orwell

Rebelion en la granja (Spanish Edition), by George Orwell

Rebelion en la granja (Spanish Edition), by George Orwell

Rebelion en la granja (Spanish Edition), by George Orwell