Mrs Warren's Profession, by George Bernard Shaw
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Mrs Warren's Profession, by George Bernard Shaw
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George Bernard Shaw (26 July 1856 – 2 November 1950) was a Nobel-Prize and Oscar-winning Irish playwright, critic and socialist whose influence on Western theatre, culture and politics stretched from the 1880s to his death in 1950. Originally earning his way as an influential London music and theatre critic, Shaw's greatest gift was for the modern drama. Strongly influenced by Henrik Ibsen, he successfully introduced a new realism into English-language drama. He wrote more than 60 plays, among them Man and Superman, Mrs. Warren's Profession, Major Barbara, Saint Joan, Caesar and Cleopatra, and Pygmalion. With his range from biting contemporary satire to historical allegory, Shaw became the leading comedy dramatist of his generation and one of the most important playwrights in the English language since the 17th century.
Mrs Warren's Profession, by George Bernard Shaw- Published on: 2015-11-27
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .25" w x 6.00" l, .34 pounds
- Binding: Paperback
- 108 pages
Review astonishing range of associated documents, provides an invaluable resource for students --Jean Chothia, University of Cambridge
From the Back Cover
One of Bernard Shaw’s early plays of social protest, Mrs Warren’s Profession places the protagonist’s decision to become a prostitute in the context of the appalling conditions for working class women in Victorian England. Faced with ill health, poverty, and marital servitude on the one hand, and opportunities for financial independence, dignity, and self-worth on the other, Kitty Warren follows her sister into a successful career in prostitution. Shaw’s fierce social criticism in this play is driven not by conventional morality, but by anger at the hypocrisy that allows society to condemn prostitution while condoning the discrimination against women that makes prostitution inevitable.
This Broadview edition includes a comprehensive historical and critical introduction; extracts from Shaw’s prefaces to the play; Shaw’s expurgations of the text; early reviews of the play in the United States, Canada, and Great Britain; and contemporary contextual documents on prostitution, incest, censorship, women’s education, and the “New Woman.”
About the Author Born at 33 Synge Street in Dublin, Ireland to rather poor Church of Ireland parents, Bernard Shaw was educated at Wesley College, Dublin and moved to London during the 1870s to embark on his literary career. He wrote five novels, none of which were published, before finding his first success as a music critic on the Star newspaper. He wrote his music criticism under the pseudonym Corno di Bassetto. In the meantime he had become involved in politics, and served as a local councillor in the St Pancras district of London for several years from 1897. He was a noted socialist who took a leading role in the Fabian Society.In 1895, Shaw became the drama critic of the Saturday Review, and this was the first step in his progress towards a lifetime's work as a dramatist. In 1898, he married an Irish heiress, Charlotte Payne-Townshend. His first successful play, Candida, was produced in the same year. He followed this with a series of classic comedy-dramas, including The Devil's Disciple (1897), Arms and the Man (1898), Mrs Warren's Profession (1898), Captain Brassbound's Conversion (1900), Man and Superman (1903), Caesar and Cleopatra (1901), Major Barbara (1905), Androcles and the Lion (1912), and Pygmalion (1913). After World War I, during which he was a staunch pacifist, he produced more serious dramas, including Heartbreak House (1919) and Saint Joan (1923). A characteristic of Shaw's published plays is the lengthy prefaces that accompany them. In these essays, Shaw wrote more about his usually controversial opinions on the issues touched by the plays than about the plays themselves. Some prefaces are much longer than the actual play.
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Most helpful customer reviews
24 of 24 people found the following review helpful. A Savage Social Satire of Economics and Hypocrisy By Gary F. Taylor Although it was written in the late 1800s, censorship issues kept George Bernard Shaw's MRS. WARREN'S PROFESSION off the stage for close to a decade, and it did not debut publically on the London stage until about 1900. Even after this delay, moralists denounced it as a scandalous play--and it remained controversial well into the mid-20th Century.The basic story concerns a pragmatic young woman, Vivie, who has spent her life in boarding schools, seeing her mother only on rare occasions. Upon graduation, she now directly confronts her mother and learns the bitter truth: Mrs. Warren is a former prostitute who has risen to the rank of a high class madam, and all of Vivie's education has been built on the profits of her profession. But the play takes an unexpected twist, for instead of sensationalizing or sentimentalizing prostitution, Shaw gives us Mrs. Warren as a business woman who took the only opportunity available to her and through commonsense and a strong work ethic parlayed her meager beginnings into a fortune of note.The obvious reason for public outcry against the play was Shaw's refusal to condemn Mrs. Warren for prostitution; less obvious but more powerful is the fact that Shaw condemns virtually every character and the society in which they move as grossly hypocritical. It is an incredibly hypocritical society that has forced Mrs. Warren to decide between the virtue of starvation and the sin of success; while easily the most sympathetic role in the play, Mrs. Warren emerges as a garden-variety hypocrite of limited insight; and while we may admire Vivie for her clarity of thought and apparent virtue, she emerges as a young woman of such ferocious self-determination that she is ultimately difficult to like.MRS. WARREN'S PROFESSION was among Shaw's earliest plays, and it pales a bit in comparison to his later, more theatrically sophistocated works; consequently it is seldom revived today. Even so, it is a powerful example of the new style Shaw would forge in theatre, a dark comedy overflowing with complex ideas and wickedly funny ironies. Shaw's tone of voice is both distinct and unique, he reads from the page as well as he plays on the stage, and he would exert a profound influence on drama throughout the 20th Century. Recommended.GFT, Amazon Reviewer
6 of 6 people found the following review helpful. You can't help but root for Vivie! By Kylie Edwards In this wonderful play Shaw brilliantly takes on a forbidden subject that got him into trouble back in his day but that's now praised as an excellent and insightful masterpiece. I must agree that it is truly excellent even though the subject it takes on is a very uncomfortable one even now.You can't help but root for Vivie as she cleverly deals with the hypocritical rogues around her in this hilarious tale.This story was smart and funny. I loved it and wanted more when it was over. I'll have to buy another one of his books. I just love his style.I can't resist any chance I can get to peek into the mind of a genius, and Shaw was a true genius. This story was delightful and brilliant.
3 of 3 people found the following review helpful. A Hilarious, Shocking, and Brilliant Book! By Marie Martin This was excellent. Shaw has given us yet another strong and intelligent female character in a brilliantly humorous tale that exposes the seedy underbelly of prim and proper Victorian society. It's a powerful indictment of Victorian era society, which exposes its corruption and hypocrisy. Even today the subject matter of this story is shocking, so I can certainly see why it would have caused such a ruckus back then.As is always the case with Shaw's works, the characters are very well fleshed out and mirror people you know in real life. The circumstances are wildly, laugh-out-loud entertaining, the plot is beautifully ironic, and the message is as serious as a heart attack. In this work he doesn't pull a single punch.Shaw is my favorite of the Victorian playwrights. His works were revolutionary in many ways. Use of humor was rare and exceptional for playwrights during that era, but Shaw was not afraid to make audiences laugh. He also tackled serious moral, political, and social issues in his plays at a time when sappy dramas were all the rage. He was truly bold and innovative and greatly contributed to dramatic art. He had an amazing gift, the ability to make people think while simultaneously making them laugh.Reading Shaw's works are a genuine treat. All of his plays are fabulous. His characters are memorable, and his humor is brilliant.This is a wonderful book, charming, significant, and insightful. I can't recommend it enough.
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