Candida, by Bernard Shaw
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Candida, by Bernard Shaw
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George Bernard Shaw (26 July 1856 – 2 November 1950) was a Nobel-Prize and Oscar-winning Irish playwright, critic and socialist whose influence on Western theatre, culture and politics stretched from the 1880s to his death in 1950. Originally earning his way as an influential London music and theatre critic, Shaw's greatest gift was for the modern drama. Strongly influenced by Henrik Ibsen, he successfully introduced a new realism into English-language drama. He wrote more than 60 plays, among them Man and Superman, Mrs. Warren's Profession, Major Barbara, Saint Joan, Caesar and Cleopatra, and Pygmalion. With his range from biting contemporary satire to historical allegory, Shaw became the leading comedy dramatist of his generation and one of the most important playwrights in the English language since the 17th century.
Candida, by Bernard Shaw- Published on: 2015-11-26
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .21" w x 6.00" l, .30 pounds
- Binding: Paperback
- 92 pages
About the Author Peter Gahan, an Irish writer living in Los Angeles, has lectured on film and psychoanalysis and on literature. He is the author of many articles in Shaw: The Annual of Bernard Shaw Studies and has directed several Shaw plays.Goerge Bernard Shaw (1856-1950) was one of the most prolific writers of the modern theater. He invented the modern comedy of ideas, expounding on social and political problems with a razor-sharp tongue. He won the 1925 Nobel Prize for literature. Dan H. Laurence is series editor for the works of Shaw in Penguin. W. J. McCormack is professor of literary history at Goldsmith's College, London.
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37 of 38 people found the following review helpful. A True Gem of World Theatre By Gary F. Taylor Like many writers at the turn of the 20th Century, Shaw was very much interested in "the woman question," for women were becoming increasingly independent and more of a challenge to men in both public and private spheres. Although he also addressed these issues in such other plays as PYGMALION and MAN AND SUPERMAN, CANDIDA is perhaps his clearest statement on the subject. Written in 1894, it is a statement that has proven timeless. It is easily among the favorite performance pieces of world theatre.The plot is quite simple. The Rev. Morrell is a minister with a taste for reform--and he has had the good fortune to marry the perfect wife, a remarkable woman named Candida who has a talent for smoothing every path she encounters. One of the paths to which she has turned that talent is that of Marchbanks, a poetic young man who is the grip of all the emotional turmoil delayed adolescence implies. But Marchbanks has fallen in love with Candida, and when he informs her husband of this all hell breaks loose.Throughout much of the play Morrell and Marchbanks engage in a series of brilliantly written duels over Candida, each of them espousing what Candida means to them and what they can give her, arguing through numerous philosophical issues in the process. But neither gentleman has actually troubled to consult Candida herself; when they eventually lay the issue before her and insist that she decide between them, she responds in a way that not only demonstrates how little they know of her, but how little they know about both women and the world in general.The climax of the play has been dropping jaws in theatres for well over a hundred years and it seems likely that it will do so for at least a hundred more--and although Shaw presents his play as a comedy, it will be the rare husband who leaves it without a quick glance at his wife and the disturbed thought that like Candida, she may not be entirely what he has always believed her to be. Brilliantly written and reading as well on the page as it plays on the stage, CANDIDA is easily among the great plays of this or any other era; a personal favorite and very strongly recommended.GFT, Amazon Reviewer
8 of 8 people found the following review helpful. Amazing introduction By Sibylle Peter Gahan's introduction to G.B. Shaw's play Candida in the new Penguin Classics edition shows an old favorite play in a very new light. Not only does Gahan read between the lines of the plot, he also draws the reader's attention to on-stage props, names, and even off-stage happenings, which might otherwise easily go unnoticed. He makes some truly amazing connections with a multitude of other works of art, such as Yeats' poetry, pre-Raphelite paintings, and Wagnerian opera. This new edition of Candida is worth buying for its introduction alone.
3 of 3 people found the following review helpful. A great play By Israel Drazin Comparing Shaw's Candida and Voltaire's Candide adds a dimension of understanding to both. Voltaire's Candide focuses on the enlightenment of a very naïve young boy who is influenced by his teacher, the philosopher Pangloss, who teaches him that this is "the best of all possible worlds" and therefore everything in it and everything that happens is not only good but the best that could possibly be. Voltaire was pocking fun at the philosopher Leibniz who taught this notion. Leibniz argued that God is good and all that he creates must of necessity be good. Voltaire shows that this is a ridiculous notion - according to this view, why save a man who is drowning since his death is "obviously" the best thing there is. The boy comes to understand that philosophy/thinking is not good; one should instead live life to the fullest. Shaw's Candida focuses on a woman and what women want from men. However, the comedy in three acts also contains a very naïve young boy and it too enlightens men who have a wrong concept. The eighteen-year-old boy falls in love with the wife of an approximately forty-year-old pastor. She is fifteen years older than the boy. Both the pastor and the boy argue about who Candida should live with. Both want to give her the best of all possible worlds. Both ask Candida to decide between them. But, as in the Voltaire tale, Candida is not interested in the best of all possible worlds. She makes her choice based on an entirely different desire.
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